Is There Too Much Music?

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  "name": "Is There Too Much Music?",
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  "date": "2026-03-15",
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  "credentials": [
    {
      "name": "Music Badge",
      "type": "music"
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      "company": "Voice Swap",
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      "name": "Michael Pelczynski",
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      "title": "Chief Strategy & Impact Officer",
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      "details": "Michael Pelczynski is Co‑Founder and Chief Strategy & Impact Officer at Voice‑Swap, where he leads vision, partnerships, and policy to shape ethical AI voice standards in music, including the first technical certification for AI voice models in collaboration with BMAT. He also serves as EVP of Digital Strategy & Distribution at Rostrum Pacific’s SpaceHeater, and previously helped architect SoundCloud’s Fan‑Powered Royalties model while overseeing economics and rights administration.",
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      "name": "Kristin Robinson",
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      "title": "Senior Music Business Correspondent",
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      "details": "Kristin Robinson is a Senior Correspondent at Billboard covering music publishing and technology, with a focus on artificial intelligence. She writes Machine Learnings, Billboard’s newsletter on AI’s impact on the music industry. Her investigative work has earned her multiple finalist nods from the National Arts and Entertainment Journalism Awards and the LA Press Club, including features on Mike Dean, Ghostwriter, and Charli XCX. Kristin also writes cover stories for Billboard, including pieces on Laufey, Mustard, and the AI-generated track “Heart on My Sleeve.” She graduated from USC’s music industry program in 2020.",
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      "id": 78684,
      "company": "Audiomack",
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      "entity_id": 2239651,
      "name": "Ashley-Cree Maddix",
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      "title": "Senior Manager, Artist Services",
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      "speaker_type": "Speaker",
      "details": "Ashley-Cree Maddix is a seasoned professional with over 14 years of experience in the music industry. \nCurrently, she serves as the Senior Manager of Artist Services at Audiomack, an artist-first music streaming and audio discovery platform with 30 million monthly users worldwide.\nDuring her tenure at Audiomack, 5 years and counting, Cree has supported more than 700 artist campaigns and led\nsuccessful projects and events such as “March Madness”, “Press Play On Black Businesses”,and the “Connect Event” series.\nPrior to her role at Audiomack, Cree worked as an Entertainment Creative on various artist teams, where she assisted with marketing, publicity, and performance development. \nHer career began in Radio Promotions and Events at Audacy, where she worked for stations like Power 96 and 104.3 The Shark. At Audacy, Cree collaborated with key partners such as Metro PCS and Tito’s Vodka to produce popular music festivals like Riptide Music Festival and Chili Cook-Off.\nCree is a graduate of Florida International University in Miami.\n",
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    {
      "id": 22921,
      "company": "BandLab Technologies",
      "credential_types": [
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      "entity_id": 2020012,
      "name": "Dani Deahl",
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      "title": "Head of Communications & Creator Insights",
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      },
      "speaker_type": "Speaker",
      "details": "As a prominent figure in music, Dani Deahl has been at the forefront of artist discovery and meaningful industry change for over a decade. She currently is a DJ, producer, public speaker, and Head of Communications & Creator Insights at BandLab. She developed the coverage for the intersection of music and technology for The Verge, helmed YouTube series The Future of Music, and is also a Trustee for the Recording Academy Chicago chapter.\n\n\n(She will also be stepping into the role of VP, Creator Policy and Corporate Affairs at Caldecott Music Group later this year.)",
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    }
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  "description": "Congrats, you can release a song in 10 minutes. Now do that every week, promote it constantly, and hope the algorithm’s in a good mood. Everyone celebrates accessibility, but nobody talks about how creators are stuck in a never-ending cycle of release, promote, repeat, with fewer results. What happens when the platforms encourage constant output, but discovery is increasingly unpredictable and unsustainable? Is the current system helping artists succeed, or just keeping them busy? The volume is up, so how do we tune into what really resonates?",
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  "long_description": "Congrats, you can release a song in 10 minutes. Now do that every week, promote it constantly, and hope the algorithm’s in a good mood. Everyone celebrates accessibility, but nobody talks about how creators are stuck in a never-ending cycle of release, promote, repeat, with fewer results. What happens when the platforms encourage constant output, but discovery is increasingly unpredictable and unsustainable? Is the current system helping artists succeed, or just keeping them busy? The volume is up, so how do we tune into what really resonates?",
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  "sort": "IS THERE TOO MUCH MUSIC?",
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